Oppression and Violent Resistance of David Martinez and Its Impact in Cyberpunk: Edgerunners Towards Arasaka
DOI:
https://doi.org/10.9744/katakita.12.2.124-132Keywords:
service quality, repurchase intention, customer satisfactionAbstract
This thesis explores how oppression and violent resistance are portrayed in the anime Cyberpunk: Edgerunners through the character of David Martinez. Using Iris Marion Young's "Five Faces of Oppression" and Frantz Fanon's theory of violent resistance is used for the analysis of how the oppressive conditions imposed by Arasaka Corporation lead David to walk the path of violent resistance as a means to reclaim his humanity and agency. I examine how David's story illuminates the dynamics of violent oppression and resistance. Analysis of David's character serves as a lens through which to examine the dynamics of oppression and resistance, explaining how his violent resistance not only breaks him from oppression but also inspires others to challenge oppression. The analysis finds four types of oppression that happen to David which are marginalization, victim of violence, cultural imperialism, and powerlessness. These oppressive conditions lead to two effects of David’s resistance which is David’s death and the rebirth of humanization.References
Cyberpunk Definition & Meaning. (n.d.). Merriam-Webster. Retrieved August 31, 2023, from https://www.merriam-webster.com/dictionary/cyberpunk.
Fanon, F. (1963). The wretched of the earth. Grove Press.
Imaishi, H. (Director). (2022, September 13). Let you down [Episode 1]. In Cyberpunk: Edgerunners. Studio Trigger.
Imaishi, H. (Director). (2022, September 13). Like a boy [Episode 2]. In Cyberpunk: Edgerunners. Studio Trigger.
Imaishi, H. (Director). (2022, September 13). My moon my man [Episode 10]. In Cyberpunk: Edgerunners. Studio Trigger.
Walker-Emig, P. (2018, October 16). Neon and corporate dystopias: Why does cyberpunk refuse to move on? The Guardian. Retrieved April 28, 2024, from https://www.theguardian.com/games/2018/oct/16/neon-corporate-dystopias-why-does-cyberpunk-refuse-move-on.
Young, I. M. (1990). Justice and the politics of difference. Princeton University Press.
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