Two Feminist Waves and Two Cultures in Little Women: An Adaptation Studies
DOI:
https://doi.org/10.9744/katakita.12.3.342-352Abstract
This study explores the adaptation of Louisa May Alcott's Little Women into a 2022 Korean television series, focusing on feminist themes across cultural contexts. By examining the portrayal of women's choices and roles, the research reveals how feminist ideas are reimagined for contemporary audiences. Both the novel and the series portray second-wave feminism through characters like Jo March, who challenges traditional gender roles, and third-wave feminism through characters like Meg March, who emphasizes autonomy and personal agency. The Korean series, featuring characters like Oh In-joo and Oh In-hye, illustrates the interplay between traditional values and modern feminist discourse. This study highlights the cultural reinterpretation of feminist values in adaptations.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).