The Panoptic Sibyl System and the Dystopia in Gen Urobuchi’s Psycho Pass
DOI:
https://doi.org/10.9744/katakita.2.1.%25pKeywords:
Pelatihan dan Pelatihan ManajeriaAbstract
This study aims to prove that Sibyl System is the Panopticon and to analyze the causes of dystopia in Gen Urobuchi’s Psycho Pass. In Psycho Pass, Sibyl System is the governing system which possesses a resemblance to the Panopticon. It implies that Sibyl System may actually be a Panopticon; thus, we want to prove this using the theory of the Panopticon by Michel Foucault. Moreover, Sibyl System shows signs of being the cause of the dystopian society in Psycho Pass even though it was designed to create utopia. To find out more about this, we analyze each characteristic of the dystopian society and trace their causes to Sibyl System’s aspects. Through the analysis, by comparing Sibyl System’s aspects to six of the Panopticon’s aspects, it is found that Sibyl System is indeed a Panopticon, and these panoptic aspects with its loopholes are the causes of the dystopian society. In conclusion, a Panopticon such as Sibyl System, though designed with noble intentions, can have flaws that prove fatal in changing the society into a dystopian oneReferences
Adams, J. J. (2011, April 11). Dystopian Fiction: An Introduction. Retrieved from http://www.tor.com/blogs/2011/04/dystopian-fiction-an-introduction
Chung, T. (n.d.). Dystopian Literature Primer. Retrieved from http://facweb.northseattle.edu/jclapp/Children%27s%20Literature/Discussion%20Questions/Dystopias%20Characteristics.htm
News. (n.d.) Puella Magi Wiki. n.p., n.d. Web. 16 May 2013. Retrieved from https://wiki.puella-magi.net/News
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2012, October 19). Those capable [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2012, November 2). Nobody knows your mask [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2012, November 16). Return of the lunatic prince [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2012, November 23). Symbolism of bletilla striata [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2012, December 21). The saint’s supper [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2013, January 25). Sweet poison [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2013, February 1). The town where sulfur falls [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2013, February 15). Iron heart [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Urobuchi, G. (Writer), & Shiotani, N. (Director). (2013, March 8). Where justice is found [Television series episode]. In J. Wada, K. Tobori & W. Okamura (Producers), Psycho Pass. Tokyo: Fuji TV.
Wallenfeldt, J. (2009). Anime. In Encyclopædia Britannica. Retrieved from http://www.britannica.com/EBchecked/topic/714626/anime
Wells, R. (2011, May 25). Dystopia Blog Series, Day 3: Elements of Dystopia. Retrieved from http://www.robisonwells.com/2011/05/dystopia-blog-series-day-3-elements-of-dystopia/
Witalec, J. (Ed.). (2003, November 11). Dystopias in Contemporary Literature. Contemporary Literary Criticism. Retrieved from http://www.enotes.com/topics/dystopias-contemporary-literature/critical-essays#critical-essays-dystopias-contemporary-literature-introduction
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).