MASQUERADE OF FEMININITY AND MASCULINITY IN JAPANESE COMIC MIDORI IS A TOMBOY AND W-JULIET
DOI:
https://doi.org/10.9744/katakita.2.3.6-11Keywords:
Interior, Library, Co-working, SurabayaAbstract
Masquerade is the use of mask and disguise by a person to hide a certain identity and make a new identity. The concept of masquerade that is the use of mask has been used in Japanese theatre such as Kabuki and Takarazuka; however those theatres also use the concept of gender bender. Nowadays, the two concepts are applied in Japanese comic that is popular in teenager. In this study, I would like to analyze the use of mask and gender bender by Makoto and Midori in Japanese comic W-Juliet and Midori is a Tomboy. I would like to reveal the strategy that is used by Makoto and Midori in wearing their mask and the meaning of the masks that they use. By this study, I will prove that femininity and masculinity are not related by sex and can be used as mask to create a new identity.
References
Buckton, M. (n.d.). Takarazuka: Japan’s Newest ‘Traditional’ Theatre Turns 100. Retrieved March, 2014 from <http://www.japantimes.co.jp/culture/2013/04/14/stage/takarazuka-japans-newest-traditional-theater-turns-100/#.U4dMs3KSyQx>
Baka-Updates Manga. Genre [Data]. Retrieved May, 2013 from <http://www.mangaupdates.com/genres.html>
Barnard, M. (2002). Fashion as Communication (2nd ed.). London: Routledge.
Emura. (n.d.). W-Juliet Series. Retrieved September, 2013 from <http://mangatraders.com>
Gender Roles/Expectations Definition. (n.d.). Retrieved from <http://aauwmi.org/state/AAUWMI%20Leadership%20Modules/PDF%20Diversity/Folder%203,%20File%201%20Gender%20Role%20Differences%20Background%20Informat.pdf>
Go, Ikeyamada. (n.d). Midori is a Tomboy Series. Retrieved September, 2013 from <http://mangatraders.com>
Izawa, Eri. (1997). Gender and Gender Relations in Manga and Anime. Retrieved from <http://www.mit.edu/~rei/manga-gender.html>
Subbiah. (2013). Masks: History, characteristics, and functions – Global perspective, Indian Journal of Arts, Volume 1, Number 2. Retrieved March 25, 2014 from <http://www.discovery.org.in/ija.html>
Tseëlon, E (Ed.). (n.d.). Masquerade and Identities Essays on Gender , Sexuality and Marginality. Retrieved May, 2013 from <http://books.google.co.id/books?id=AKIyIdu2MP0C&printsec=frontcover&hl=id&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false (Original work published 2001)>
Wood, B. , Hamilton, T. (2010). Kabuki Theatre: Kabuki Acting: Traditions & Techniques. Retrieved March, 2014 from <https://sites.google.com/site/utnarukami/kabuki-theatre-3/kabuki-acting-traditions-techniques>
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).